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Natalia Sergeevna Goncharova (; June 4, 1881 – October 17, 1962) was a Russian avant-garde artist, painter, costume designer, writer, illustrator, and set designer. Her great-aunt was Nataliya Nikolaevna Goncharova, wife of the poet Alexander Pushkin. ==Life and work== Natalia Sergeevna Goncharova was born on June 4, 1881 in Tula Governorate, which was the estate of her father, a notable architect and mathematician Sergey Goncharov.〔("Natalia Goncharova" ), National Gallery of Australia, Retrieved 24 May 2015.〕 In 1891 the family moved to Moscow. In 1901 she entered Moscow School of Painting, Sculpture and Architecture where she met Mikhail Larionov who was a student of the same art school. Soon they formed a lifelong relationship. Larionov and Goncharova were founding members of two important Russian artistic groups Jack of Diamonds (1909–1911) and the more radical Donkey's Tail (1912–1913).〔 The Donkey's Tail was conceived as an intentional break from European art influence and the establishment of an independent Russian school of modern art. However, the influence of Russian Futurism is much in evidence in Goncharova's later paintings. Initially preoccupied with icon painting and the primitivism of ethnic Russian folk-art, Goncharova became famous in Russia for her Futurist work such as ''The Cyclist'' and her later Rayonist works. As leaders of the Moscow Futurists, they organised provocative lecture evenings in the same vein as their Italian counterparts. Goncharova was also involved with graphic design—writing and illustrating a book in Futurist style. She started to exhibit at the Salon d'Automne (''Exposition de L'art Russe'') since 1906.〔(Exposition de l'art russe 1906 ); salon-automne.com〕 Goncharova was a member of the Der Blaue Reiter avant-garde group from its founding in 1911. In 1915, she began to design ballet costumes and sets in Geneva. In 1915 she started work on a series of designs—''Six Winged Seraph'', ''Angel, ''St. Andrew'', ''St. Mark'', ''Nativity'', and others—for a ballet commissioned by Sergei Diaghilev to be titled ''Liturgy''. Also involved in the project, for which Igor Stravinsky was invited to compose the score, were Larionov and Léonide Massine, but the ballet never materialized.〔Norton, Leslie. ''Léonide Massine and the 20th Century Ballet'' . McFarland, 2004. p. 12. ISBN 0786417528〕 Goncharova moved to Paris in 1921 where she designed a number of stage sets of Diaghilev's Ballets Russes. She also exhibited at the Salon d'Automne in 1921, and participated regularly at the Salon des Tuileries and the Salon des Indépendants. Between 1922 and 1926 Goncharova created fashion designs for Marie Cuttoli's shop, Maison Myrbor on the Rue Vincent, Paris. Her richly embroidered and appliquéd dress designs were strongly influenced by Russian folk art, Byzantine mosaic and her work for the Ballets Russes.〔(【引用サイトリンク】url=http://collections.vam.ac.uk/item/O72715/evening-dress-goncharova-natalia/ )〕 In 1938 Goncharova became a French citizen.〔("Natalia Goncharova" ), Solomon R. Guggenheim Museum, Retrieved 24 May 2015.〕 In 1955 she and Larionov were finally married.〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Natalia Goncharova」の詳細全文を読む スポンサード リンク
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